Peter Zelinka | Long Exposure Tutorial

Long Exposure Guide


Long Exposures are a fun way to mix up your photography style.  Neutral Density filters allow you to slow down exposures and can produce mesmerizing photos.  In the image below I used a Lee Filters Big Stopper to slow my exposure down to 30 seconds.  This completely smoothed out the water and created an ethereal look.

*I recently created a PDF checklist to follow along with when setting up your filters, click here to view it.

San Salvador Long Exposure20 second Long Exposure

 

 

My Filter Setup


 

For my normal threaded lenses I use the Lee Filters 100mm system.  It does an okay job, but it does have some flaws.  Notably, the filters have a heavy blue cast and the filter holder tends to have problems with light leaks.  It's also quite expensive if you want the complete system.

Here are some links to the various Filters, Step-up Rings, and Adapters I covered in this video:


I also use 150mm filters for my Nikon 14-24mm lens.  I cover this setup further down in the tutorial.

 

 

Neutral Density Filters


Neutral Density filters are basically dark pieces of glass you can put on the front of your lens.  They come in different "stops" (how dark the glass is.)  A 10 stop filter will be very dark glass, while a 4 Stop will be fairly light.  When choosing your Neutral Density Filters you have the option of Circular or Rectangular filters.  There are pros and cons to each system.
 

Rectangular Filters

Pros Cons
  • 1 Filter for multiple lenses
  • Can stack 2+ filters
  • Easy to adjust filter position
  • Minimal Vignette
  • Can easily remove filter holder and adjust focus, composition
  • Need Filter Holder, Adapter Ring, and Step-up Rings ($$)
  • More gear to carry, takes up space
  • Long setup time
  • Light Leaks


I mainly use rectangular filters, so I am most familiar with that setup.  In my experience, rectangular filters are great when you have shots pre-planned and have plenty of time to take the photo.  I hate when I have to rush to capture the sunset / sunrise and have a very limited time window, especially since setting up my filters takes a few minutes.  This delay can cause you to miss the best lighting.  With rectangular filters you have to stop, pull out the adapter ring and any step-up rings, screw them onto your lens, clip the filter holder onto the ring, unpack your filter(s), clean them, and slide them into the holder.  This process usually takes me at least 2 minutes.

 

Circular Filters

Pros Cons
  • One piece
  • Fast, easy setup
  • No light leaks
  • Cheaper
  • Can't stack multiple filters
  • Can't necessarily use 1 filter for all lenses
  • Need to unscrew to check focus / composition
  • Easy to mess up focus / composition while attaching filter

 

With circular filters, all you have to do is screw the ND / Polarizer filter onto the front of your lens.  Very quick, very easy.  You can also stack 2 filters together, however image quality may be negatively impacted.  Stacking circular filters can cause vignetting and a loss of sharpness.  If you plan to stack multiple filters regularly, you should consider going with a rectangular filter system.  However, if you only plan to use one filter at a time, then a circular filter is likely your best bet.   

Lee Filters makes two very popular Neutral Density filters, the Little Stopper (6 stops) and Big Stopper (10 stops).  This is the system I use.  There are plenty of other Filter options to choose from, including: Vu Filters, Hoya, Nisi, Haida, B+W, ICE, Formatt-Hitech, and Promaster

A 6 Stop ND filter is perfect for shooting waves during the daytime.  It blurs them just enough to create intriguing images.  

Little StopperUsing the Little Stopper to show the wave motion

 

A 10 Stop ND filter is great when you really want to slow an image down.  10 Stops can allow for a 20 second exposure on an overcast day.  If you're feeling really adventurous, you can combine two Neutral Density Filters for an even longer exposure.  For example, stacking a Little and Big Stopper would result in a 16 Stop filter, which can take 8+ minutes to properly expose in broad daylight! 


Long Exposure photoA 60 second exposure, created with the Big Stopper

 

 

Choosing a Filter Size

This may be very confusing if you have no experience with filters yet.  Be sure to watch my Filter Setup video at the top of the page, which will help to explain this process.

First, determine what your largest Filter Thread size is on all of your lenses.  The Nikon 24-70 has a 77mm Filter Thread, while the Tamron 24-70 has a 82mm thread.  Look at the inside of your lens cap, or the lens body itself, to find the Filter Thread size.  It will look something like this:   ⌀ 67.

Filter Thread SizeThe Sigma 35mm Art has a 67mm Filter Thread

Let's say you have three lenses.  One has a 77mm thread, the other a 67mm thread and one with a 52mm thread.  If you plan to use circular filters, you should buy one that matches your largest filter thread, in this case: 77mm.  You can then buy a 67-77mm and a 52-77mm Step-Up Ring.  You should be able to find these Step-Up Rings for less than $10 on B&H.  Simply screw the step-up ring onto your lens first, then screw on the actual filter into the step-up ring.

If you are using rectangular filters, this is a bit different.  Since you will need an adapter ring and filter holder set, you must choose the appropriate adapter ring size.  I use a 77mm adapter ring, which fits on my Nikon 24-70 perfectly.  I can use those cheap step-up rings in order to use that 77mm adapter ring on most of my other lenses as well.  For example, with my Sigma 35mm Art I just use a 67-77mm Step-Up Ring.  I thread that onto my lens, then attach the adapter ring onto the Step-Up Ring.

Remember though, if you end up buying a lens with a larger Filter Thread in the future, you will need to purchase a new adapter ring (rectangular filters) or a completely new filter (circular).  After I bought all my filters, I picked up a Tamron 150-600mm, which has a filter size of 95mm.  Therefore, I had to buy a new 95mm adapter ring from Lee Filters.
 

 

150mm Filter Systems


In 2017 I purchased the Nikon 14-24mm lens, which does not have a traditional filter thread.  That means a special filter holder is needed to do long exposures.  If you have a lens like the Tamron 15-30mm, Rokinon 14mm, or Sigma 14-24mm, you will also have this problem.  Thankfully there are some great options on the market right now!  The biggest problem is that you will need to invest in all new 150mm filters to go with your lens.

I was able to test out the Haida 150mm holder, as well as their 6 Stop, 10 Stop, and Square Polarizer filters.  In short, the filters performed at a high level, even better than my 100mm Lee Filters!  I would easily recommend the Haida filters to any long exposure photographer without hesitation.  You can read my full review over on my blog.

For a 150mm filter holder, I would highly recommend the Progrey G-150Z.  This filter holder is hands-down the best option on the market.  I used the G-150Z holder extensively on my 2017 roadtrip for photographing waterfalls.  My only real problem with the holder is that it's fairly large and heavy, which makes an already huge lens even more cumbersome to carry!  Still, the design and materials are top-notch!  You can read my full review here.

Ultimately, I would recommend using Progrey's G-150Z filter holder with Haida's ND filters.  This allows you to save some money on the filters, while still getting a high quality product.  Plus, you will have the best 150mm filter holder available!   

 


Color Casts


Lee Filters tend to have a blue tint, which needs fixed in Post Processing.  Click here to see the color cast caused by the Big Stopper and Little Stopper.  This is relatively easy to fix, if you shoot in RAW, but I still hate having to color correct all of my photos.  Sometimes the colors become so messed up you need to do some heavy Photoshop work.  Check out this Color Correction tutorial by Photoshop Guru Jimmy McIntyre.  Depending on which filters you are using, you may have a different color cast to deal with.  

The comparison below shows a Promaster 10 Stop ND vs the Lee Big Stopper.  Both images were shot using the exact same settings, including white balance.  As you can see, the Lee filter has a terrible blue color cast, while the Promaster filter is color-neutral.  The Lee filter is also noticeably darker.

Promaster
LEE

 

Once you receive your ND filters, you should test them to see how bad the color cast is.  You also need to test how dense the filters actually are.  First, take a photo of a plain white wall or something similar.  Make sure your camera is on a manual White Balance (basically anything other than Auto).  Then take a test photo of the wall without a filter.  Next, slide / screw the filter on.  Change your Shutter Speed to compensate for the ND filter and take another photo.  This will show the color cast.  Watch the video below for more information.

 

 

 

Long Exposure Noise Reduction


Let me start by saying that Long Exposure Noise Reduction (LENR) is not necessary for exposures 30 seconds or less.  I only turn it on when I'm shooting exposures well over 1 minute long.  When a sensor is capturing light for over a minute it can get very hot.  If you are shooting in a warm, humid environment, your sensor will also take longer to cool down.  This heat will show up in the picture in the form of "hot pixels", tiny multi-colored dots all over the image.  To help cool the sensor, try to limit your Live View usage.  Live View will quickly heat up your sensor, since it has to send all of that information to your playback screen in real-time.  Saving large files to the SD / CF card will also increase the sensor's temperature.  If you are taking any photos longer than 30 seconds, you should enable Long Exposure Noise Reduction.  You can find this option in the Photo Shooting Menu on Nikon cameras.  Some Nikon models also have Long Exposure Noise Reduction in the quick menu. (Press the i button)  

When LENR is turned on, the camera takes 2 exposures.  The first is the normal photo.  Immediately after the normal photo is taken, another exposure of equal length is taken, this time without any light reaching the sensor.  This creates a Dark Frame that the camera uses to automatically detect any hot pixels and remove them.  After the camera identifies the hot pixels and removes them, it saves the final output as one image.  Basically, all LENR does from a user standpoint is double the shutter speed.  So if you take a 30 second long photo, you will need to wait 1 minute before you can take another shot.  As the camera is taking the Dark Frame, you will see 'Job nr' flashing on your camera.  Once 'Job nr' disappears, you can take your next photo.

job nrThe camera is now taking the Dark Frame   

Here is a heavily cropped image that shows just how awful Hot Pixels can become.  This is why Long Exposure Noise Reduction is absolutely necessary! If you do forget to turn on LENR, you can still salvage the image in Photoshop using the Dust and Scratches filter.  To learn more about this process, check out my YouTube video tutorial.

 

 

Light Leaks


Light Leaks are another problem you will likely encounter when doing Long Exposures.  Light Leaks occur when light gets into the lens or camera during the exposure.  This can occur at the filter holder, the lens itself, or the camera's viewfinder.  Most light leaks occur at the Filter / Filter Holder area though.  To be clear, if your long exposures are 30 seconds or less, you probably won't see light leaks.  However, if you plan to do long exposures over 30 seconds, the possibility of light leaks is greatly increased.  In the image below, the light leaks were caused by light sneaking in on the sides of my filter holder.  There's nothing worse than spending 16 minutes to create a photo only to have your image ruined by light leakage.

Light Leaks16 Minutes wasted because of Light Leakage

First, make sure your filters are properly fitted.  If you have circular filters, ensure they are screwed in all the way.  If you use rectangular filters, make sure they are completely covering the front of the lens.  

Next, cover the camera body and lens.  It is crucial to cover the camera's viewfinder.  Nikon camera's normally come with a little plastic clip that will cover it.  (you will have to take off the normal cover first).  On higher-end models (D500, D810, D5), there is a little switch next to the Viewfinder.  This will close off the viewfinder.

If it is not windy out, I will put a jacket over the camera and lens.  If it is windy, I use my hat to cover the camera body and part of the lens.  I also use black tape to cover the corners of the Filter Holder, since light seems to get through there.  Then, I will stand right over the camera so that my shadow blocks the light from falling on my gear.  Be careful not to shoot into the sun, as the sunlight will likely leak in around the filters.

Cover CameraCover that camera!

I should stress that it is very important to keep your entire camera setup in shadow for the duration of the exposure, otherwise you risk wasting 8+ minutes for one ruined photo.  
Light Leak

I've also found that a shirt can work really well for covering the camera.  I slide the camera inside the shirt and out through one of the sleeves, this allows me to clamp the camera to the tripod.  A car can also be a great sun-shade, if you are able to shoot right next to it.

ShadeGetting Creative in the Grand Tetons

 

 

 


Polarizer


A polarizing filter makes a great addition to a filter setup.  The polarizer is used to remove distracting reflections from water, and helps remove glare from rocks, leaves, windows and many other objects.  A polarizer can be especially useful when photographing landscapes and waterfalls.  

 

BEFORE
AFTER


Notice how the sky is much darker, the blue haze in the distant mountains is gone, the clouds appear more white and the surface of the water looks different.

A circular polarizer is actually two filters attached together.  The first filter does not move, the second filter is rotated around.  As you rotate the second filter you will see the scene go from unpolarized to polarized.    In the video below, you can see the difference the polarizer makes as I rotate it around:  


Polarizers do not work well with Wide Angle lenses (wider than ~28mm) when photographing landscapes, as they have uneven coverage.  This will cause a certain portion of the sky to be much darker than the rest depending on how you rotate the polarizer.  Or, in the case of photographing water, there will be reflections on some of the water.  In the photo below you can see how the polarizer darkened the center of the sky, but not the edges.  This was taken at 24mm.

Polarizer ProblemsNotice the darker sky in the center
In order to make the most of the polarizer, you should point the camera 90 degrees away from the sun.  In order to illustrate this, create an L with your hand, with your thumb pointed upwards and your index finger pointed straight ahead.  When you are out in the field, use your finger to point at the sun.  You can now rotate your wrist around in a circle, while still pointing at the sun.  The direction your thumb is pointing will have the best polarization effects.  

Surprisingly, even dry rocks can reflect a lot of sunlight.  As you can see in the photos below, the polarizer really brings out the colors in the landscape.

 

BEFORE
AFTER

 

BEFORE
AFTER

 

I use the Lee Filters Landscape Polarizer, which works great!  You simply attach the 105mm Ring to the front of your Filter Holder and then screw the polarizer in.  I really like this setup because I can use the polarizer by itself, or in combination with my Little and/or Big Stopper.  It also has a slight warm cast, which helps reduce the blue cast from the ND filters.

Keep in mind, you don't always want to use a polarizer.  Sometimes you really want to have a nice reflection.

No PolarizerNo Polarizer needed!


 

 

Filters at the Beach


My favorite place to use Filters is in the Bahamas.  You can get so many amazing effects by using ND filters!  My favorite ND to use is definitely the Little Stopper, which is the 6 stop ND.  I find that 6 Stop ND's allow just enough light reduction to create some really fun images.  I love shooting with a 1/2 - 1 second Shutter Speed and showcasing the movement of the waves.

Little Stopper1/2 exposure with the Little Stopper

Little Stopper Filter1/4 second exposure with the Little Stopper Little Stopper1/2 second exposure with the Little Stopper

Using the Big Stopper (10 stop ND) can also be fun, especially as you wait to see how the image will turn out.  These exposures are usually around 30 seconds and they really smooth the water out.  

Big Stopper25 second exposure with the Big Stopper

 

 

Filters in the Mountains


The weather in the mountains can drastically change the effect your ND filters have.  In the photo below, taken at Yosemite National Park, the heavy clouds and fog created an ethereal look.  I used the Big Stopper for a 15 second exposure.  This was just enough time to slightly blur the clouds and soften the fog as it rolled through the valley.


Sometimes I use my Little Stopper and Big Stopper together in order to get 16 Stops.  The tricky part is properly exposing the photo.  If you have a bright sunny day, with a few clouds, then the following settings should get you proper exposure with 16 Stops.

  • f/8
  • 4-6 minute exposure
  • ISO 100

It helps to shoot in RAW.  This will allow you to recover detail in the highlights, if they get overexposed.  If the photo is underexposed, you can brighten the Exposure in Post-Processing without much quality loss.  If you want to dive into an ISO rabbithole, look into ISO Invariance.  If your camera is ISO Invariant, you could recover a heavily underexposed photo if need be, or intentionally underexpose the photo in order to save the highlights from being blown-out.  

Long Exposure PhotoAnother 8 minute exposure

If possible, keep the sun behind the camera.  If the sun is directly overhead, in front, or at a 90 degree angle to the camera there is a much higher chance of Light Leaks.  

I love using my ND filters with my Tamron 150-600mm!  The telephoto lens allows me to isolate the mountains, while the ND filters can create a surreal effect with the clouds.

The image below was taken using 17 Stops for an 8 minute exposure.  As you can see, the clouds have plenty of time to stretch out across the sky.

Grand Teton Long Exposure

I'll leave you with one last look at the Grand Tetons.  The photo below was captured using a Big Stopper, which slowed the exposure down to 25 seconds.  The big cumulus clouds just started to blur together at that Shutter Speed.

Grand Teton National ParkGrand Teton National Park

 

 

Waterfalls


Filters can also be used to create beautiful Waterfall photos.  Polarizers can remove harsh glare from the water's surface and bring out the beautiful colors, while ND filters can smooth out the water completely.  

Avalanche CreekAvalanche CreekLong Exposure photo of Avalanche Creek in Glacier National Park
For the comparison below I used a Big Stopper.  This slowed my exposure down to 30 seconds and created a beautiful effect!

 

BEFORE
AFTER

 

Sometimes even a polarizer is enough to slow the Shutter Speed effectively.  The photo below was a 1/4 second exposure, just long enough to blur the waterfall.  I recommend using a shutter speed between 1/4 sec and 1 second for the best results.  

 

 

Determine Shutter Speed


The easiest way to determine your Shutter Speed is to use the free Lee Exposure App.  Here's a link to the Google Play version.  First, select your ND filter strength.  Then rotate the dial until it matches your current Shutter Speed, without any filters.  The App will tell you the appropriate Shutter Speed over on the right.  Remember, if your ND filters are actually more dense than listed, you will have to factor that into the calculation.  Alternatively, you can determine your Shutter Speed manually, using my Stop Guide.

I recently created a guide to understanding Stops and how they effect Long Exposure Photography.  I've included a free Stop Guide Chart that you can download to your smartphone.  This will allow you to easily determine your appropriate Shutter Speed in the field, regardless of how many Stops your ND filter(s) are.  Click here to visit that Tutorial.

Understanding how to select the correct shutter speed can be a bit confusing at first.  

Set your camera to Aperture Priority mode and choose your Aperture value (f/8 usually works well).  The camera will now automatically adjust the Shutter Speed.  When you add a Neutral Density filter or Polarizer the camera should automatically adjust the Shutter Speed for a proper exposure.  (I've noticed that sometimes the camera does not get the proper Shutter Speed unless I turn on Live View; so if your photos are under / over exposed, try using Live View)

My Nikon D750 is normally able to calculate the proper Shutter Speed when I use a 6 Stop ND filter on Aperture Priority Mode.  However, when using a 10 Stop ND filter, the camera tends to miscalculate the correct Shutter Speed.  Therefore, I need to use Manual Mode when shooting with my Big Stopper.  If your exposure is longer than 30 seconds, you will need to use Bulb Mode and manually time the photo.  

Most filters should come with an Exposure chart that will list normal Shutter Speeds and the equivalent shutter speed when using the ND Filter.  Or you can download my own Exposure Guide, which lists all the common 1 Stop intervals for Shutter Speed, Aperture, and ISO.  Head over to my Stop Guide tutorial to learn more.

 

Determine Your Filter's Actual Density

The filter you purchase may not be exactly the correct density.  If you buy the Lee Filters Big Stopper, a 10 Stop Filter, it may actually be 10 and 2/3 stops.  This will alter your shutter speed and you need to correct for it.  After using my Lee Filters for over two years, I finally decided to test the real ND strength.  I will show you how in this blog post.

Keep in mind, if you are doing long exposures under 30 seconds, this isn't really necessary.  The camera should give you the correct shutter speed in Aperture Priority mode.  However, if you spent over $100 on your ND filters and plan to do exposures longer than 30 seconds, I'd highly recommend testing the density of all your filters.
 

 

Gear Checklist


I recommend bringing the following items every time you head out to take a Long Exposure.

  • Microfiber Cloth
  • Lens Cleaning Fluid (for smudges and water droplets)
  • Hat or Jacket (to cover lens/camera from sunlight)
  • Black Tape (to cover viewfinder and lens holder)
  • Rocket Blower (to blow dust off filters)
  • Wireless Remote Shutter (necessary for 30+ second exposures)
  • Filters

 

 

Taking the Shot


After practicing my Long Exposure photography in Colorado I came up with a set of steps I follow each time.  Following these steps should help you to capture a perfect Long Exposure every time.

 

  1. Get Camera in position (verify you have an interesting composition)
  2. Screw on Adapter Ring and attach Filter Holder (Only if using rectangular filters)
    • Don't attach the filter yet
  3. Take a test photo in Aperture Priority mode
    • Make sure everything looks good (sharpness, exposure, composition)
    • You can use this for white balance reference in Post Processing
  4. Turn Long Exposure Noise Reduction ON
    • Only necessary when shooting 30+ seconds
  5. Turn off Auto-Focus (camera body or lens)
  6. Slide/screw filters into place
    • Double Check they are covering the entire lens
    • For Circular Filters, simply screw on the filter to the front of the lens
  7. Turn on Live View
    • This is usually more accurate than through the viewfinder
  8. Check Camera's new Shutter Speed with Filters
  9. If you have 6 Stops or less, leave camera on Aperture Priority
    • the camera should automatically pick the correct Shutter Speed
    • Or Change to Manual Mode and use the Lee Exposure App to calculate Shutter Speed
  10. Take Test Photo
  11. If it looks good, you're done!


If the image was too dark, or you know the Shutter Speed needs to be longer than 30 seconds, keep following the steps below.


 

  1. If Image is very dark, change Camera to Manual Mode
  2. Use Stop Guide or the Lee Filters Exposure App to determine manual Shutter Speed (Click here for Google Play version)
  3. Change White Balance to compensate for Color Cast (10,000K if using Big Stopper + Little Stopper)
  4. Change Shutter Speed to Bulb Mode
    • Bulb Mode is a Shutter Speed option found after 30 seconds
    • Consult your Camera's Manual for more information
  5. Enable your wireless/wired remote
  6. Place hat / jacket / black tape on camera to block sunlight
  7. Get stopwatch or smartphone ready
    • Only if manually timing with wireless remote
    • A wired remote / intervalometer should allow you to choose your shutter speed
  8. Click the wireless remote button and your smartphone timer at the same time
    • This will begin the photo
  9. Wait for recommended time (Making sure no sunlight is hitting camera or filters!!)
  10. Click remote shutter button again to end exposure
  11. Wait for LENR to process (it will take the same amount of time as your exposure)


Sometimes your Shutter Speed may be too fast even though you added an ND filter, there are a few ways to slow it down.  First, you can try to lower your ISO, some cameras can go below ISO 100.  Next, you will need to start stopping down your aperture.  I usually shoot between f/5.6 - f/11, unless I absolutely need to get a longer Shutter Speed.  You generally don't want to shoot above f/16 because of Diffraction, which will make your image less sharp.  More importantly, any dust on your sensor will show up in the image and look awful; it's also a pain to remove in post-processing.  If you have any dust or water droplets on you filters, these will also become visible above f/8.

Don't forget to cover that camera!  Light Leaks are the worst! 

 

Remember!

  • Double Check Focus before taking Long Exposure image (Turn off Auto-focus!)
  • Prevent Light Leaks by covering View Finder and lens, make sure to cast shadow over gear or use hat/jacket
  • Turn on Long Exposure Noise Reduction to eliminate Hot Pixels
  • Use Remote Shutter with Mirror-Up Mode to eliminate any chance of vibration
  • Look for partly cloudy days to shoot Long Exposure Clouds

 

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